Q: How did you transition from creating art privately to sharing it publicly? Was there a particular opportunity that prompted you to take that leap?

A: I started creating art as a personal hobby, but over time I noticed how many people were genuinely interested in what I was making. The encouragement and positive response made me realize that this wasn’t just a private passion — it had the potential to reach others. I also had so many ideas waiting to be expressed that I understood I needed to commit to it full time in order to truly grow and develop as an artist.

Q: Can you tell us about a time pitching your work, whether to a gallery, client, or brand that didn’t go quite as planned, and what you took away from it?

A: I once applied to exhibit at a well-known local gallery that I really admired. They required nine pieces, and I didn’t have enough finished work at the time — but I was determined, so I painted all nine within the month before the deadline. In the end, I wasn’t accepted. It was disappointing, but it taught me the importance of being truly prepared before applying. Since then, I only apply to opportunities when I feel confident in the strength and readiness of my work. It’s made the process much more intentional and less stressful.

Q: Which connection—mentor, peer, or collector—has fueled your practice the most, and how did that relationship or encounter shape where you are today?

A: A year ago, I reached out to a well-known painter to ask if she could give me some lessons. After seeing my work, she told me that I already had strong talent and a clear artistic voice — and that she didn’t want to interfere with my process of finding my own style. That conversation was incredibly encouraging and gave me the confidence to keep developing my work independently. We still keep in touch, and she occasionally sends me opportunities. I’m very grateful for her support — it reminded me to trust myself as an artist.

Q: How do you envision your practice evolving over the next few years in terms of medium, scale, or the themes you wish to tackle?

A: In the coming years, I see my practice evolving both in scale and in depth. I want to work on larger canvases that allow for more immersive storytelling and visual impact. While I’ll continue using oil as my primary medium, I’m also interested in experimenting with mixed media — incorporating texture, gold leaf, and possibly sculptural elements. Thematically, I plan to explore more complex narratives around identity, transformation, and inner strength, drawing more deeply from psychology, mythology, and personal experience. My goal is to create work that not only resonates emotionally but also invites deeper reflection.

Q: What practical advice would you give emerging artists aiming to turn their creative practice into a sustainable, long-term career?

A: My advice would be: treat your art like both a passion and a profession. Develop a consistent studio practice, but also take time to learn about the business side — pricing, marketing, and how to present your work. Build relationships with other artists, galleries, and collectors, and don’t be afraid to share your work publicly, even before it feels “perfect.” Also, be patient. Growth takes time, and rejections are part of the process. Most importantly, stay connected to why you create — that sense of purpose will carry you through the ups and downs.